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Make no mistake; Apache Beat isn't another collective of art-school dropouts who moved to Brooklyn last month, fulfilling their lifelong dream of 'making it big' along the L line. While such taste-making publications as Pitchfork, NME and NYLON helped stoke the band's "Next Big Thing" status in the past year, Apache Beat started sharpening their post-everything knives in 2007. Starting with several jaw-dislodging demos, Summer Lovers Unlimited (The Tough Alliance, Crystal Castles, The Teenagers)—were already lining up to press its first Apache Beat single, "Tropics." To this day, it's the song everyone shows up to see, an ain't-gonna-back-down, not-even-for-a-second anthem for jilted lovers and anyone who digs hollow drums, sinewy riffs, and manic melodies. But Apache Beat's songs are not merely the sum of their influences. Starting with shades and shards of Roxy Music and the Pixies, Krautrock and new wave, Apache Beat meet their music collections halfway with an unparalleled brand of avant-rock that's aggressive and intricate as hell. This is all thanks to a restless rhythm section (drummer Neil, bassist Mike); the cutting chords of Phil; the serpentine synth lines of Christina; and the brooding vocals of Ilirjana, a stage-seizing frontwoman with effortless style (as celebrated in the pages of Jalouse, V, British Vogue and Elle). But don't believe us when it comes to Apache Beat; believe the band's growing number of friends and fans, from the MisShapes to members of MGMT, School of Seven Bells, Gossip and the Yeah Yeah Yeahs. You can say there is a reason—or three—that Ilirjana was asked to sing on the Rapture's last record, and that Mike plays the rubbery bassline on Chairlift's breakthrough "Bruises" single. They have toured in the US, UK and Europe supporting acts such as School of Seven Bells, Gossip, Deerhunter, Crystal Castles, Chairlift, Les Savy Fav and We Are Scientists. Apache Beat are set to be the band in 2010 who will be bringing the adrenaline back into music. User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.